Notes From the Field: First Year Teaching Experience

by Michelle Wittle

I see them now, even though it was about nineteen years ago. Their teacher retired mid-year and there was a sub in the room. The students were all engaged in different activities such as combing each other’s hair, sleeping, making snowballs out of the worksheet, and talking to one another. The sub sat in the middle of the room and had two students near him. He was instructing them on how to fill out a simple prefix and suffix worksheet. They weren’t listening; they wanted him to give them the answers. 

I was lucky in one sense because I got to see my students for the first time without teaching them. But in a larger sense, my face cannot tell a lie. I was so mad at the sub for allowing the students to carry on this way. Time will teach me how difficult being a substitute teacher is and how little training and how little money they get for this position. I didn’t understand the sub was probably left with no guidance, no plans, and was probably thrown into the room with the expectation to make it work. But, being so new to teaching, I had no idea how being a sub worked. I saw that moment in time and swore when I took over, things would be different. 

And they were different. 

The first book I taught them was Sounder. I taught it to my 7th graders while I was student teaching and there were enough books for a class set, so I thought it was a win/win. 

It wasn’t. They were 9th graders who did not want to read about some guy going to prison for stealing a ham. 

Next, I taught Midsummer’s Night Dream by Shakespeare. Not the No Fear Shakespeare version, but the real, Elizabethan text. 

That went better than Sounder because the students read Romeo and Juliet last semester, but it still wasn’t great. I had students in 9th grade reading on a 3rd grade reading level. I didn’t understand I needed to put in extra supports for the students. They didn’t cover that kind of thing in my Shakespeare class in college. 

It wasn’t just the materials I was picking, it was the lack of classroom management. I couldn’t understand why my students didn’t love picking apart language and discussing symbolism. I was banging my head against the Merriam-Webster’s dictionary trying to figure out why the students would not sit down, do the work, and listen. 

It took Switch Day for my students and me to really begin to understand each other. 

I had three students (it was the traditional block scheduling) willing to be me and I got to be a student. Two of the three students cried. One sat at the back at my desk, shaking his head. The other asked me how did I do this every day. I smiled, and then turned to my “friend” and starting talking right in the middle of the class. 

What I learned from that experience was I had to really know the students I was teaching and they really needed to know the teacher who was in front of them every day, handing out journal topics and Shakespeare books. 

Once the students got to talk with me, they started to see me as a human. I was no longer a robot barking orders and telling the students to read this and sit down. I had a life outside of school; I had interests and hobbies outside of teaching. And they wanted to ask me questions about my life, and I wanted to answer them and learn more about them. One student even told me how when she first met me, she thought I hated her. She looked at my face and saw how my lips were pulled straight and my arms were crossed over my chest and assumed I was looking like that because of her. My stomach dropped because I realized how my body language was misinterpreted by my student and I was horrified I sent that message. I told her I hated that some people did not know how to value her education and that I was so sorry she thought I hated her. 

At the end of the year, my students asked me if I was going to stay on for the next year. One student who failed my class asked me if I would make sure he was in my class again. 

Because I came in late in the year, I was bumped out of the position and had to pick another school in the district for the next school year. But, all these years later, I still can see my students sitting (and not sitting) in their seats. I can still hear them complain. I still hear them struggling with reading the part of Puck

They changed who I became as a teacher and I will always be grateful for them.

MM Wittle is a Senior Lead Educator by day, an adjunct professor at night, and a writer on alternating Wednesdays. Wittle holds a BA in Secondary Education/English from La Salle University, an MFA in Creative Writing from Rosemont College, and a Supervisor Certification from Rowan University.


Attention NJ ELA teachers: Would you like to write for the NJCTE blog? We would be happy to publish your ideas and insights about your practice or resources you’ve had success with, etc. We welcome original pieces or those that have been posted elsewhere. Please send queries and contributions to njcteblog@gmail.com.

Notes From the Field: First Year Teaching Experience

Join the NJCTE Summer Book Club Slow Chat Starting August 5!

connectedreading coverConnected Reading by Troy Hicks and Kristen Hawley Turner

Weekdays August 5th-16th on Twitter

NJCTE is thrilled to feature Kristen Hawley Turner at our 2019 Fall Conference: Practices Designed for Success, Saturday, September 21, 2019, 9-1:30 (with an authors’ breakfast 8-9) at Kenneth R. Olson Middle School, Tabernacle, NJ. Registration is now open!

In anticipation of Kristen Hawley Turner’s talk and in recognition of the importance of summer professional development for teachers, we have designed the first annual NJCTE Summer Book Club Slow Chat on Twitter. Join us and earn six professional development credits while connecting with fellow literacy educators in New Jersey.

Have you purchased your copy of Connected Reading yet? If not, there is still plenty of time! You can purchase the print version or the e-book from the NCTE Store between July 1st and August 16th. NJCTE and NCTE members can use the code READ19 to receive a 15% discount. Mark your calendar, buy your copy of the book, and get ready to join our conversation on Twitter! 

Read a chapter a day or read the entire book before the chat dates — whatever works for you! Below are the chat questions for those of you who like to prepare in advance. Most will appear in an abbreviated form in tweets, so reference this for more details:

Monday, August 5th: Introduction

Slow Chat Q1: Welcome! Before we begin discussing the book, please introduce yourself, and share which digital texts you most enjoy reading. If possible, share a link to the text itself or a summary of the text. #NJCTE

Tuesday, August 6th: Chapter One

Slow Chat Q2: Why might some literacy educators marginalize digital texts in their instructional choices? What actions might we take in our classrooms and schools to “move beyond these hesitancies” (14)? #NJCTE

Wednesday, August 7th: Chapter Two

Slow Chat Q3: In Chapter Two, Turner and Hicks focus on the recursive processes of connected reading: ENCOUNTERING, ENGAGING and EVALUATING texts. In what ways do you enter into this process yourself as you read digital texts? #NJCTE

Thursday, August 8th: Chapter Three

Slow Chat Q4: In Chapter Three, the authors share a number of anecdotes and experiences to illustrate what mindfulness about digital reading looks like. How are you more mindful of your digital reading practices after reading this chapter? #NJCTE

Friday, August 9th: Chapter Four

Slow Chat Q5: In Chapter Four, Turner and Hicks show how students “move fluidly between print and digital texts” (58). Nonetheless, “they may not realize that digital tools can help them to curate in a way that keeps them focused” (67). How might we help students articulate and discover their intentions and purposes as they navigate both print and digital texts? #NJCTE

Monday, August 12th: Chapter Five

Slow Chat Q6: In Chapter Five, the authors unpack a variety of approaches and rationales for creating shared digital annotations as they read print texts. What might shared annotation look like in your classroom and school? #NJCTE

Tuesday, August 13th: Chapter Six

Slow Chat Q7: Throughout Chapter Six, Turner and Hicks offer abundant examples of “intentional instruction surrounding digital texts” (124). What practices were you rethinking as you read this chapter? #NJCTE

Wednesday, August 14th: Chapter Seven

Slow Chat Q8: In Chapter Seven, the authors underscore the value of offering students “micro-bursts of short- and mid-form reading that can fuel their learning” (127). What unit of instruction or area of required curriculum might be notably improved through the introduction of digital texts — short-, mid-, and long-form? #NJCTE

Thursday, August 15th: Chapter Eight

Slow Chat Q9: In their final chapter, Turner and Hicks reference Will Richardson’s claim that “teachers must be users before they ask their students to engage with technologies” (142). Today, take some time to tinker with several of the many resources the authors have mentioned in this chapter or in previous ones. Share your learning as a user of the technology. How might it inform your future practices this year? #NJCTE

Friday, August 16th: Closing Reflections

Slow Chat Q10: Please share how you plan to implement strategies shared by the authors this coming school year. In the spirit of the book’s intent, please include screenshots and/or digitally annotated passages from this book or another one you are reading to share your learning with this network. #NJCTE

Join the NJCTE Summer Book Club Slow Chat Starting August 5!

Summer Reading Recommendation: A Glimmer of Hope

Glimmer of Hope coverby Audrey Fisch

For many of us, teachers and students alike, it’s summer reading time. And, for many of us who are teachers, we worry because we know those summer reading books can be just one more miserable chore to be neglected or ignored by our students. Alas.

I want to call out one title that is being used in at least one university in the U.S. as its summer reading selection: Glimmer of Hope: How Tragedy Sparked Movement, written by the founders of March for Our Lives.

It’s a book of essays, with some poetry, lots of pictures, excerpts from speeches, and so many vibrant student voices. Reading the volume, we hear from the students themselves about their experiences and responses to the event, their work in the aftermath, and their navigation of the media and politicians.

We hear, not just from survivors, but others touched by the moment, including, for example, Naomi Wadler, who, as a fifth grader in Alexandria, Virginia, responded to the Marjory Stoneman Douglas shooting by organizing the walkout at her elementary school on the day of the national school walkout. As Wadler writes, “I think it’s important to inspire other black girls and to reach out to other black girls and to encourage them, and for them to know that they have worth” (143). Her response to being told by her principal that the walkout wasn’t appropriate for young people her age: “I politely enlightened him to the fact that students don’t have parental supervision when they are being shot in their own classrooms” (142).

The volume constantly reflects that push-and-pull: students trying to seize the moment and instead being put in their place. Delaney Tarr, in “Our First Trip to DC:” February 25,” for example, contrasts her optimism – a “feeling of possibility” – and the reality of meeting a California politician who, hearing that the students were there to advocate about gun reform, “immediately started to treat us like kids and was rude to us . . . . [leaving her] feeling a bit hopeless and disenfranchised” (95).

But it’s hard to sustain hopelessness and that feeling of disenfranchisement as you read the stories of these young people – of their vision, their energy, their resilience, and their collaboration.

Most of us, it’s inspiring to hear them raise their voices. Jammal Lemy writes, “I know it’s our duty as the youth of America to never stay quiet. And we won’t” (198).

Indeed, along the lines of the youth of America seizing their voices and refusing to stay quiet, one particular moment in the text stands out to me in terms of why I think this would make such a powerful summer reading selection. In the essay, “Creating a Social media Movement: Mid to Late February,” John Barnitt, Sarah Chadwick, and Sofie Whitney write: “Our generation is so much more aware of what’s going on around us than people may give us credit for” (41). So often, in school, students are told how little they know, how inadequate their skills are, and how they aren’t ready to do “real” work. They are told to follow the rules, maintain order, and conform to expectations.

This volume of essays is about a group of young people who seized the horrific moment and showed the nation that they were knowledgeable, skilled, and ready to work. Want to stop summer slide? Let the students of America learn from their powerful peers. What could be more inspiring and educational to other students, regardless of politics?

I hope more districts and universities adopt this daring and important text as summer reading – sending a clear and powerful message that they expect their students to seize their voices and exert their power.

Summer Reading Recommendation: A Glimmer of Hope

Call for Manuscripts: 2020 Issue of New Jersey English Journal

New Jersey English Journal, a peer-reviewed publication of New Jersey Council of Teachers of English, invites you to share submissions on the theme, “What’s Next? Embarking Upon a New Decade of English Language Arts.” 

We seek research and practitioner-oriented pieces (1000-2000 words), as well as personal essays (700-1000 words) and other creative responses related to the theme and geared towards an audience of P–12 and postsecondary English Language Arts educators. In addition to submissions that respond to the theme, we also welcome poetry on the topic of teaching.

We welcome single and co-authored submissions from both veteran and new teachers, and we especially invite new writers, pre-service teachers, and graduate students to develop submissions. Writers are urged to read past editions available online at www.njcte.org to review past successful submissions.

We invite you to respond to the theme of “What’s Next? Embarking Upon a New Decade of English Language Arts” by considering such questions as:

  • In what ways has the ELA classroom evolved? How, if at all, will the role of ELA teachers change in the future?
  • How and when can ELA teachers make space for new voices, texts, and approaches?
  • In what ways might interdisciplinary and cross-disciplinary approaches shape teaching and learning in ELA and beyond?
  • How have your teaching methods evolved over time, or in what ways do you anticipate they will evolve? What factor(s) catalyzed these shifts? (e.g, technological innovation, the sociopolitical landscape, learners’ interests and needs)
  • How can technology enhance traditional methods and/or create innovative modes for student communication, assessment, and learning? What opportunities and challenges does technology pose?
  • What’s next for ELA? Over the next 10 years, how will our students change? How might we need to change? Which traditions and practices will (or should) grow obsolete, and which should be preserved?

Submissions will be accepted until Friday, December 27, 2019, via www.njcte.org. All submissions will be reviewed through a double-blind process by multiple members of the Editorial Board. Submissions should not have been previously published or under review elsewhere. Manuscripts should follow MLA guidelines for citations. All writing should appear in Times New Roman 12 pt. font, and authors’ names and identifying information must be removed from all submissions. Send any queries to njenglishjournal@gmail.com.

Call for Manuscripts: 2020 Issue of New Jersey English Journal

NJCTE Summer Book Club Slow Chat Schedule and Questions

connectedreading coverConnected Reading by Troy Hicks and Kristen Hawley Turner

Weekdays August 5th-16th on Twitter

NJCTE is thrilled to feature Kristen Hawley Turner at our 2019 Fall Conference: Practices Designed for Success, Saturday, September 21, 2019, 9-1:30 (with an authors’ breakfast 8-9) at Kenneth R. Olson Middle School, Tabernacle, NJ. Registration is now open!

In anticipation of Kristen Hawley Turner’s talk and in recognition of the importance of summer professional development for teachers, we have designed the first annual NJCTE Summer Book Club Slow Chat on Twitter. Join us and earn six professional development credits while connecting with fellow literacy educators in New Jersey.

Have you purchased your copy of Connected Reading yet? If not, there is still plenty of time! You can purchase the print version or the e-book from the NCTE Store between July 1st and August 16th. NJCTE and NCTE members can use the code READ19 to receive a 15% discount. Mark your calendar, buy your copy of the book, and get ready to join our conversation on Twitter! 

Read a chapter a day or read the entire book before the chat dates — whatever works for you! Below are the chat questions for those of you who like to prepare in advance. Most will appear in an abbreviated form in tweets, so reference this for more details:

Monday, August 5th: Introduction

Slow Chat Q1: Welcome! Before we begin discussing the book, please introduce yourself, and share which digital texts you most enjoy reading. If possible, share a link to the text itself or a summary of the text. #NJCTE

Tuesday, August 6th: Chapter One

Slow Chat Q2: Why might some literacy educators marginalize digital texts in their instructional choices? What actions might we take in our classrooms and schools to “move beyond these hesitancies” (14)? #NJCTE

Wednesday, August 7th: Chapter Two

Slow Chat Q3: In Chapter Two, Turner and Hicks focus on the recursive processes of connected reading: ENCOUNTERING, ENGAGING and EVALUATING texts. In what ways do you enter into this process yourself as you read digital texts? #NJCTE

Thursday, August 8th: Chapter Three

Slow Chat Q4: In Chapter Three, the authors share a number of anecdotes and experiences to illustrate what mindfulness about digital reading looks like. How are you more mindful of your digital reading practices after reading this chapter? #NJCTE

Friday, August 9th: Chapter Four

Slow Chat Q5: In Chapter Four, Turner and Hicks show how students “move fluidly between print and digital texts” (58). Nonetheless, “they may not realize that digital tools can help them to curate in a way that keeps them focused” (67). How might we help students articulate and discover their intentions and purposes as they navigate both print and digital texts? #NJCTE

Monday, August 12th: Chapter Five

Slow Chat Q6: In Chapter Five, the authors unpack a variety of approaches and rationales for creating shared digital annotations as they read print texts. What might shared annotation look like in your classroom and school? #NJCTE

Tuesday, August 13th: Chapter Six

Slow Chat Q7: Throughout Chapter Six, Turner and Hicks offer abundant examples of “intentional instruction surrounding digital texts” (124). What practices were you rethinking as you read this chapter? #NJCTE

Wednesday, August 14th: Chapter Seven

Slow Chat Q8: In Chapter Seven, the authors underscore the value of offering students “micro-bursts of short- and mid-form reading that can fuel their learning” (127). What unit of instruction or area of required curriculum might be notably improved through the introduction of digital texts — short-, mid-, and long-form? #NJCTE

Thursday, August 15th: Chapter Eight

Slow Chat Q9: In their final chapter, Turner and Hicks reference Will Richardson’s claim that “teachers must be users before they ask their students to engage with technologies” (142). Today, take some time to tinker with several of the many resources the authors have mentioned in this chapter or in previous ones. Share your learning as a user of the technology. How might it inform your future practices this year? #NJCTE

Friday, August 16th: Closing Reflections

Slow Chat Q10: Please share how you plan to implement strategies shared by the authors this coming school year. In the spirit of the book’s intent, please include screenshots and/or digitally annotated passages from this book or another one you are reading to share your learning with this network. #NJCTE

NJCTE Summer Book Club Slow Chat Schedule and Questions